Apple’s latest brainchild is the musical social network feature packed into the new iTunes 10. Serving as a music-related newsfeed and a vast suggestion source for discovering artists and tunes, Ping has captured immediate attention, good and skeptical alike. While some think it is the last nail in MySpace’s coffin, others believe it is solely a trial period, and a ploy for more iTunes business. In the spirit of avoiding a premature opinion, I will share what I have found so far, within the first week of its birth, with an open mind.
Beez Kneez
When I first heard of Ping’s concept, I geekily moo-ed, “Cooool.†The network has such potential, being directly connected to iTunes, which already has 160 million users. Talk about a populated platform to launch from!
Being able to follow all of your favorite artists in one place, from concert listings to daily updates, is super convenient. Only problem is that if you aren’t a fan of mainstream maestros, good luck finding anyone you care to follow in their database. Hopefully, the small catalog of artists is just a growing pain, and it will appeal to a wider variety of artists soon. (Like really soon, or sianara.)
But what artist wouldn’t want to take advantage of this opportunity to grow their band and brand? With the iTunes store tightly knit within the social frame, users become listeners, who become fans, who become buyers…all within a couple clicks. This one-stop system can take purchasing to a more personal level.
Ping Shming
A few aspects threw me for a loop, however. It definitely takes a little getting used to having the Ping app within a desktop app. Everything is conveniently in one window, but slowness and confusion can be issues. Besides the inevitable lack of artist profile participation, I also find it irking that you are directed toward the iTunes store rather than the profile page when searching an artist. Perhaps it’d be more convenient to have two search buttons: Store and Ping, because I’m not digging having to wait for the puny redirect tab to pop up.
Another weakness is the 30-second preview for listening. People may eventually use this network to find new music (if it expands its catalog), but to get to know a band, usually we listen to more than a couple of little baby clips of their songs. That’s the point when I’d scroll over to Grooveshark, Last.FM or even MySpace, who is now in hospice care.
What’s in Store?
Time can only tell what the future holds for Ping and its competitors. I really think it is a marketable initiative, but the network has a lot of maturing to do before users just give up. In only a couple of days, over 1 million people have registered and explored, but soon the wave of curiosity will wane, and time will shine a light on the true benefits of the model, or lack thereof.